Showing posts with label BLM reading list. Show all posts
Showing posts with label BLM reading list. Show all posts

Monday, April 07, 2025

Blackout by Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, Nicola Yoon

One of the prompts in the Pop Sugar Reading Challenge this year is a book of interconnected short stories. Blackout is a book like that! Yay! It's written by Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, and Nicola Yoon. I listened to the audiobook narrated by  Joniece Abbott-Pratt, Dion Graham, Imani Parks, Jordan Cobb, Shayna Small, A.J. Beckles, and Bahni Turpin. 


During the pandemic in 2020, six of the best YA novelists, all women of color, got together and created this lovely anthology about what could happen to young people in a blackout in New York City. Tiffany D. Jackson writes a story called "The Long Walk" that tells the story of Tammi and Kareem as they try to make it from Harlem to Bed-Stuy without the benefit of money or public transit. Meanwhile, the other writers write stories about characters who we are introduced to in "The Long Walk." 

As with other anthologies, some of these stories are stronger than others. "Mask Off" by Nic Stone was a particular favorite of mine, about a basketball player who runs into a boy from his school on the same subway train as the darkness falls. I was kind of disappointed in the end of "No Sleep 'til Brooklyn" by Angie Thomas, but I will let you make your own call about that if you read it.

Look, I am absolutely not the right audience for teen angst anymore. I have mostly sworn off YA because being a teen in 2025 is different in a million ways from being a teen in the 1990s and I just do not understand it and it makes me feel ancient. It also makes me feel ancient when I think about how all the drama from this night will not matter to those kids in a decade, but it does matter to them, quite a bit, on that night, and the fact that they have no perspective is super frustrating for me. BUT. I was a teen once I do remember how everything seemed So Big and So Important and how I could not control my hormones at all. 

But, despite this, I really enjoyed this audiobook. I felt like the narrators did an excellent job and I was super excited to be in New York on a boiling summer day with no electricity. Thumbs up. 4.5/5 stars

Lines of note:

...sitting between a giant tower of toilet paper rolls and one of those big yellow rolling mop buckets full of water the color of gargoyle snot. (Mask Off)

Gargoyle snot!! This description made me howl. 

Finding love is as rare as finding identical snowflakes. (All the Great Love Stories...And Dust)

To be young again. 

When I was a little girl, Gran would take me here and we'd greet each one and she'd whisper that the pair of lions, Patience and Fortitude, protected all the library books from harm. I'd stare up at my smug grandmother always asking her why anyone would want to hurt books and she'd wink and then remind me that the stories we tell can be dangerous. (All the Great Love Stories...And Dust)

To all of us in the United States who rely on libraries, please consider calling your Congressional reps and telling them how important your public and/or university library is to your life. 

I miss the days when all it took was an ice cream cone to fix everything. There's not enough ice cream in the world for all I'm dealing with. (No Sleep 'til Brooklyn)

Right? Our local ice cream place opened last month and I did go there for an ice cream cone on a day when it was pouring rain in the 40s. It did make me feel a little bit better. 

Kareem always made up little games for our long walks. One day we were spotting all the brownstones that had red doors. The next we were playing Count the Gentrifiers. (The Long Walk, Act 5)

I just wrote about how much I liked red doors and then I felt incredibly called out by this book! #obviouslyawhitelady

Hat mentions (why hats?):

...wearing a hat pulled down low over his forehead...took his hat off...(Mask Off)

Saturday, November 09, 2024

The Color Purple by Alice Walker

Last year as part of a going away present from my volunteer gig, I received a copy of The Color Purple by Alice Walker. I finally made it a priority to read!


In this epistolary novel, Celie writes letters to God and to her sister Nettie. Celie is a black girl living in an abusive home when her father marries her off to an abusive man. Along the way, Celie meets an entire cast of characters and suffers way more than any human should, but somehow keeps her head up and manages to maintain her cheer and dignity.

This book was so hard to read. The violent imagery was so stark and so real. But read it I did because I wanted Celie to succeed, I wanted her to be loved, and I wanted to know how it could possibly end. I don't know how this didn't get pressed into my hands when I was younger - it's exactly the sort of book I would have rabidly read repeatedly. 

Just so powerful and beautiful. WHY DIDN'T ANYBODY TELL ME HOW GOOD THIS IS? 5/5 stars

Lines of note:

Time moves slowly, but passes quickly. (page 163)

What God do for me? I ast.
She say, Celie! Like she shock. He gave you life, good health, and a good woman that love you to death.
Yeah, I say, and he give me a lynched daddy, a crazy mama, a lowdown dog of a step pa, and a sister I probably won't ever see again. Anyhow, I say, the God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgitful and lowdown. (page 191)

The title:

I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. (page 195)

Not a blade of corn (how it do that?) not the color purple (where it come from?). 

Hat mentions (why hats?):

She wearing a hat like Indian Chiefs. (page 25)
Nine o'clock come, he bring Harpo his hat. (page 28)
A shiny black hat with what look like chickinhawk feathers curve down side one cheek...(page 44)
He say, Hand Pa his hat, Celie. (page 54)
She got on a starch and iron dress, high hell shoes with scuffs, and a old hat somebody give Shug. (page 93)
Her hat missing and one of the heels come off her shoe. (page 95)
He took my hat off, say Squeak. (page 96)
Silk and satin too, and hats made out of gold. (page 106)
The defend it a the drop of a hat. And speaking of hats, if we had passed our hats alone they would not have been enough to hold all the donations to our enterprise. (page 134-135)
So me and Shug dress up in our new blue flower pants that match and big floppy Easter hats that match too...(page 177)
She dress to kill in a pink suit, big pink hat and pink shoes...(page 179)
Love to wear her hats and shoes. (page 217)

*********************

The Color Purple has been banned and censored in its time. Have you read a banned book recently?

Wednesday, October 09, 2024

The Reformatory by Tananarive Due

Other Tananarive Due books:
My Soul to Keep

I listened to the audiobook of The Reformatory by Tananarive Due because it fulfills the horror book by a BIPOC author prompt for the Pop Sugar Reading Challenge. Have you noticed that I'm reading a lot of books for that challenge recently? Well, it's because I am way behind and don't know if I'm going to be able to finish the challenge before the end of the year. I still have fifteen books to go to finish. I guess that's five books a month and if I buckle down and focus on it, I can pull this off. 

Twelve-year-old Robert Stephens, Jr. is sentenced to six months at Gracetown School for Boys for kicking a white boy who was hitting on his sister. Robbie soon learns that the ghosts he sees around the reformatory are not nearly as dangerous as the people who work there. 

Gracetown School for Boys is loosely based on the Dozier School for Boys and Robbie was very loosely based on a distant relative of the author. Honestly I wanted this book to be spookier than it was. It was horrifying knowing that the abuse the boys received was based on real events, but if the author was going to raise the issue of Robbie seeing ghosts, I sort of wanted the ghosts to be scarier. Maybe it was a good metaphor that the real danger is in actual living human beings, but I just wanted a bit more ooomph. 

Also, a whole lot of this book was not set at the school, but it followed Robbie's older sister as she tried to get his sentence lowered and, to be honest, the sister's story was a bit boring. I don't know. I wanted to like this, but I thought The Nickel Boys by Colson Whitehead was a better book with similar source material (although, to be clear, the Whitehead is NOT horror). 

I don't know. Should you read it? I think that depends on your interest in this topic. I did enjoy starting the month of October with this one, though.  4/5 stars

Line of note: 

But mama had been able to cuss people out using the politest words possible clenched between her teeth and in that moment Gloria had sounded just like her. (timestamp 7:25:22)

Ha ha ha. Haven't we all given the equivalent of the middle finger in a polite tone?

Hat mentions (why hats?):

...fixed on his hat to block the sun. (timestamp 1:03:56)

tipped his hat (timestamp 2:01:36)

Younger boys wore smaller paper hats...(timestamp 3:07:24)

As Boone pointed out the hook with Robert's apron and paper hat...(timestamp 3:08:11)

...apron and hat..(timestamp 3:09:40)

...a white boy in a chef's hat and an apron...(timestamp 3:15:28)

fishing hat (timestamp 7:02:08)

...took off his hat to wave with it...(timestamp 7:03:25)

bright red hat (timestamp 7:47:44)

tipped his hat (timestamp 8:11:18)

took off his hat (timestamp 8:20:43)

glamourous hat (timestamp 8:42:26)

take off his hat (timestamp 8:53:49)

pillbox hat (timestamp 9:29:23 and again at 9:56:18)

took off his hat (timestamp 10:04:57)

put his hat back on (timestamp 10:07:09)

in my hat box (timestamp 11:32:03)

brim of his hat (timestamp 11:49:25)

took off his hat (timestamp 11:51:18)

tipped an imaginary hat (timestamp 15:35:08)

the slant of his cowboy hat (timestamp 15:52:50)

knocked his hat back on his head (timestamp 15:54:39)

He took off his hat...(timestamp 16:35:22)

wearing a western-style hat (timestamp 19:44:15)

tipped his chef's hat (timestamp 20:41:25)

stylish hats (timestamp 20:41:45)

hat canted to one side (timestamp 20:44:17)

********************

Can you imagine a new reader stumbling upon this blog and wondering why on earth I have a giant list of hat mentions? Hi, new readers! I'm neurotic, that's why!

Have you ever read Tananarive Due? Do you have other suggestions for BIPOC horror authors? There doesn't seem to be a ton of them. 

Saturday, January 27, 2024

Accountable by Dashka Slater

 

Accountable: The True Story of a Racist Social Media Account and the Teenagers Whose Lives It Changed is Dashka Slater's follow-up to The 57 Bus, which I thought was a lucid look at a complicated, hard issue. Accountable follows the same pattern of examining the intersection of teens and hatred. At a school in the Bay area of California, a student creates an Instagram account in which he posts racist photos and memes of his classmates. What follows is an examination of the fallout of this account for the victims, the people who engaged with the account, and the entire community. 

This is a field that is so ripe for this type of deep dive examination. Cybercrime and cyberbullying is such a huge issue. Even if students move schools, their online reputation may follow them. What is the role of a school in preventing and/or punishing cyberbullying? Why are teens even engaging in this type of behavior?

I feel like one of the things I say about the students at the university where I work is that they are unmotivated and many of them are not smart, but they are nice. And I have thought this about most teens I have worked with in my life. 

I was teaching a class once about racial politics in the U.S. when a student raised his hand and said, "Why are we even talking about this? Once everyone in your generation dies, all the racists will die, too." (Let's ignore the "your generation" like I am billion years old.) It was hard to defend against this logic because no one in the room considered themselves a racist, just like none of the teens who were part of this racist Instagram account would have said that they were racist. 

Anyway, I half sort of bought into that student's argument because it did seem to me that the young people I met were more accepting of differences than when I was their age. It seemed like we were on a trajectory of more inclusivity. And then Trump was elected. And all those differences in acceptance levels disappeared. 

This is an important book, particularly for teens and parents of teens.  It's not perfect (there are too many characters, too many endless scenes about sad teen girls), but it's definitely worth your time. Don't be intimidated by the huge page count, either - there's a lot of white space and the chapters move by quickly. 4.5/5 stars

Lines of note:

The cops interviewed the girls as well, asking if they'd ever been physically harmed or threatened. Had they ever felt like their lives were in danger?

No, of course they hadn't. For many of them, it was just the opposite. These boys had been their friends, or the friends of their friends. They'd slept over at one another's houses, chatted with one another's parents, hung out together at school. And all the while those boys had been thinking of them as monkeys and imagining them being lynched. (page 78)

I'm going to skip right over boys and girls have sleepovers (am an old fogey, I guess) and talk about how this is really important for young people to learn early. The people most likely to commit violence against you are the people closest to you, so be careful who you pick as your friends. 

Education researcher Dr. Brian Donovan has looked at the beliefs of high school students in schools very much like Albany High School: affluent, majority white, but still relatively diverse. About a fifth of the students at these school believe ... that there are differences between the races that determine people's intelligence and other abilities. That belief is shared by about the same percentage of U.S. adults. 

Ugh. Just ugh. 

Hat mention (why hats?):

He had a full white beard and was wearing a black Stetson hat. 

Saturday, January 20, 2024

The Deep by Rivers Solomon

I recently listened to the audiobook of The Deep by Rivers Solomon on some snowy walks with the dog recently. It was narrated by Daveed Diggs, William Hutson, and Jonathan Snipes. The book is based off of a song that Diggs originally produced for the podcast This American Life, so it was fun to hear him read it. 

In this story, water-breathing descendants of African women who were thrown off board slave ships have built their own society living in the ocean. Their past is too traumatic for them to deal with, so they put all their memories into one, the Historian. But what happens when the trauma is too much for the Historian to handle?

I have mixed reviews on this one. It's beautifully written and Diggs does a nice job with the narration. But it's really hard to listen to. It's hard to think about. It's hard to think that the Historian, Yetu, is anything other than a selfish waste of space. But then it's hard to think about what it would be like if you were single-brainedly responsible for the entire trauma of your family's past. It's really a challenging book with its themes of intergenerational trauma, slavery, and climate change. 

Also, I think Diggs did a good job as narrator, but I sort of wish that that narrator had been a woman because most of the characters were women. Is this sexist? I don't really know.  

4/5 stars

Lines of note:

And then she sings for us and we are in love. (timestamp 1:10:38)

Who hasn't fallen immediately for a great performance?

Every sentence is a gorgeous song and their harmonies rip us in half because we are too full on contentment, too happy. (timestamp 1:18:59)

Such pretty writing. Their harmonies rip us in half. Evocative, right?

We are collectors and a collection is never complete. (timestamp 1:21:32)

I loved this little observation.

Yetu was black and scaled, she lived in the water and she looked it. They looked so...fleshy... (timestamp 1:50:08)

This is an inside joke with me and my husband. My husband is a thin man. We were watching a show with David Boreanaz (probably Angel) and I was talking about how I didn't understand the fuss about Boreanaz. "He's attractive enough, but he's so fleshy" was the direct quote. So when I hard this line, I laughed, paused it, and made my husband listen. 

It was strange to be having such a strange conversation with her amaba, discussing their varied interpretations of the History. What had always seemed certain to Yetu wasn't so immutable. The living put their own mark on the dead. Goodness, how had she missed it? (timestamp 3:43:13)

This is why we have a varied work force and we listen to other people!

"...I misinterpreted."
"It is easy to do that with the past, even with the blessing of the full visions of the History," said amaba. (timestamp 3:44: 12)
It's crazy how what you always thought was normal is not always the way other people interpret the same thing. 

Hat mentions:
None

Monday, February 27, 2023

The 1619 Project: A New Origin Story edited by Nikole Hannah - Jones

The 1619 Project: A New Origin Story created and edited by Nikole Hannah-Jones is based on the New York Times Magazine's "1619 Project." The book is named after the year that the first enslaved Africans arrived in what was then the British colony of Virginia on the ship the White Lion and the book takes as its central thesis that the history of the United States should be reexamined with the idea of slavery and the contributions of enslaved people and descendants of enslaved people as the framing device for looking at the history of the United States. There are eighteen chapters in the book, each written by a different author on a different theme. 

In August 1619, just twelve years after the English settled Jamestown, Virginia, one year before the Puritans landed at Plymouth, and some 157 years before English colonists here decided they wanted to form their own country, the Jamestown colonists brought twenty to thirty enslaved Africans from the English pirates. The pirates had stolen them from a Portuguese slave ship whose crew had forcibly taken them from what is now the country of Angola. Those men and women who came ashore on that August day mark the beginning of slavery in the thirteen colonies that would become the United States of America. (page 9, Chapter 1: Democracy by Nikole Hannah - Jones)

The book has received its share of criticism, has been banned in many states, and has raised the ire of many a politician. It's also been used to develop curriculum for teaching about hard topics revolving around race and history from elementary school through college, spawned a podcast series, a poetry book, a children's book, and lots of discussions about the role historians play in building narratives.

Like any edited volume, the chapters vary in quality based on the topic and the author. Did my eyes roll back into my head very far in the music chapter by Wesley Morris that just listed pages and pages of black artists? Why, yes, yes, they did. Did the last paragraph in the sugar chapter by Khalil Gibran Muhammad in which is he switched entirely from talking about the role of black people in sugar fields and plantations to talking about the role of sugar in modern diets make me insane? For sure. But, overall, there was so much I learned and I just respect Hannah-Jones and the rest of the contributors for doing such rigorous research and sticking to their guns when criticisms were being hurled at them. 

The book starts with a poem by Langston Hughes and in the interstitial space between chapters, the book includes photos, creative writing, and assorted other ephemera from history. I know each and every bit of the book was carefully considered and curated and I was there for all of it.

I am the American heartbreak-
The rock on which Freedom
Stumped its toe - 
The great mistake 
That Jamestown made
Long ago. 
-Langston Hughes
"American Heartbreak: 1619" (page xv - epigraph)

I legitimately marked dozens and dozens of passages in this book and don't even know where to start whittling it down to what to post here. I guess I suggest you just read the book. It's a commitment at almost 600 pages (20% are footnotes!), but it's a commitment worth making in terms of understanding what is going on in race relations today and how we got there.

5/5 stars

Lines of note:

In exposing our nation's troubled roots, the 1619 Project challenges us to think about a country whose exceptionalism we treat as the unquestioned truth. It asks us to consider who sets and shapes our shared national memory and what and who gets left out. (page xxx, preface by Nikole Hannah-Jones)

I think it's always interesting to see history written from a different lens. I don't see this as more radical a project than centering history around women rather than "great men" or centering it around daily running of households rather than wars, but this project did get a lot of criticism for its reframing of American history.

...we [Black Americans] are the stark reminders of some of its most damning truths. Eight in ten Black people would not be in the United States were it not for the institution of slavery in a society founded on the ideals of freedom. (page xxxi, preface by Nikole Hannah-Jones)

Eight in ten. Imagine what the demographics of this country would be if slavery hadn't existed here.

...our founding mythology, which conveniently omits the fact that one of the primary reasons some of the colonists decided to declare their independence from Britain was because they wanted to protect the institution of slavery. (page 16, Chapter 1: Democracy by Nikole Hannah - Jones)

This sentence was the spark for much of the controversy about the original 1619 Project. Hannah-Jones included the words "some of the" to quiet some of her detractors. I actually had never, not once in my life, really thought about the role slavery played in the American Revolution and found this chapter absolutely fascinating. The fact that the Founders used the metaphor of slavery to talk about throwing off the shackles of British rule is absolutely unconscionable in light of the actual chattel slavery occurring in the colonies. 

The bedrock of this statutory scheme was a network of laws passed in the colonial era governing sex and race. These laws, which created the racial-classification systems we still live with today, were primarily concerned with policing interracial sex...The laws that invented race also created a regime intent on policing Black women's sexuality and controlling Black women's bodies. (page 48, Chapter 2: Race by Dorothy Roberts)

Oh, this whole chapter was hard to read, particularly about Black women's bodies and how the treatment of enslaved women continues to have repercussions to this day.

Enslaved Black women gave birth to enslaveable children even if the fathers were white...The law allowed white men to profit from their sexual assaults on Black women...white men could rape enslaved women with total impunity, maintaining their domination while increasing their wealth. Their control over Black women's bodies was key to creating a permanent labor supply. (page 50, Chapter 2: Race by Dorothy Roberts)

Imagine thinking of your own children as merely "labor supply." I mean, I guess that was true in poor white farming families, but at least the white children knew they could grow up and leave. 

The specific forms of repression and control may have changed over time, but the underlying pattern established during slavery has remained the same. Modern-day policing, surveillance, and mass criminalization, as well as white vigilante violence and "know-your-place" aggression," have histories rooted in white fear - not merely of Black crime or Black people but of Black liberation. Nothing has proved more threatening to our democracy, or more devastating to Black communities, than white fear of Black freedom dreams. (page 101, Chapter 4: Fear by Leslie Alexander and Michelle Alexander)

This chapter was so important. I didn't include any quotes about how white enslavers feared slave revolts, but basically all early law enforcement was about preventing and halting slave revolts and that has had a huge psychological impact on how non-Black people perceive Black people. 

Slavery, he [Thomas Jefferson] once quipped, was akin to having a "wolf by the ear" - white people could not release their grip on it, but they also knew that beneath the surface boiled a formidable Black rage that could not be fully contained.

From the founding of the original thirteen colonies, white people in the North and South lived in constant fear that the men and women they whipped, raped, and forced to work without pay would, if given the chance, rise up and take revenge on their white enslavers. This is why governmental surveillance and severe punishment of Black people began almost concurrently with the introduction of slavery itself. (page 102-103, Chapter 4: Fear by Leslie Alexander and Michelle Alexander)

The successful Haitian revolution (1791-1804) led to a great deal of fear among enslavers in the United States. 

It was obvious to everyone concerned that white people frequently became enraged when their status or power was threatened, and that they were willing to maintain the racial order through violence—including burning buildings, looting homes, and attacking or lynching Black people. But when Black rebellions swept our nation, they were cast as deviant, criminal, and irrational. (page 118, Chapter 4: Fear by Leslie Alexander and Michelle Alexander)

Alexander and Alexander making explicit links from policing in the antebellum period to today.

Most of the credit that powered the sectors of the American economy based on the labor of enslaved Black people came from the London money market. Years after abolishing the African slave trade in 1807, Britain, and much of Europe along with it, was bankrolling slavery in the United States. To raise capital, state-chartered banks pooled debt generated by mortgages on enslaved workers and repackaged it as bonds promising investors annual interest. During slavery’s boom time, banks did swift business in bonds, finding buyers in Hamburg and Amsterdam, in Boston and Philadelphia. (page 176, Chapter 6: Capitalism by Matthew Desmond)

Even when Britain absolished slavery decades before the US did, hands were not clean.

Slavery pulled down all workers’ wages. Labor power had little chance when the bosses could instead choose to buy people, rent them, contract indentured servants, take on apprentices, or hire children or prisoners. Within this environment, white workers formed labor unions and advocated for better pay, improved conditions, and shorter work days. Yet nearly all those unions withheld membership from free Black workers. White workers viewed Black people not only as rate busters but also as political adversaries, since Black constituencies were generally aligned with the Republican Party—the party of Lincoln and emancipation, but also the party of big business—while white union members sided with the Democratic Party, seen as more sympathetic to labor and immigrants. (page 182, Chapter 6: Capitalism by Matthew Desmond)

In a capitalist society, money is a zero sum game and if someone else has it, you don't. Using this to create racial tension is a crucial component of the modern American economy.

Among the duties of the enslaved was the enslavers’ entertainment. Black people were called upon to fiddle and dance for their white owners and their guests. Musicians were loaned out to other enslavers. (page 366, Chapter 14: Music by Wesley Morris)

I knew a little bit about slaves being forced to sing work songs, but I didn't actually consider that enslaved people were forced to provide entertainment for white people. Ugh. 

When the long sweep of American history is cast as a constant widening of equity and justice, it overlooks this parallel constant widening of inequity and injustice. The two forces have existed in tandem, dueling throughout our history. (page 424, Chapter: 17: Progress by Ibram X. Kendi)

Kendi's argument in their chapter is that the arc of American history doesn't bend towards justice and we need to acknowledge that and start dealing with it.

At the time of the Civil War, the value of the enslaved human beings held as property added up to more than all of this nation’s railroads and factories combined. And yet, enslaved people saw not a dime of this wealth. They owned nothing and were owed nothing from all that had been built from their toil. (page 458, Chapter 18: Justice by Nikole Hannah - Jones)

I imagine Hannah-Jones's argument that reparations are necessary is another highly controversial aspect of this book.

...college simply does not pay off for Black Americans the way it does for other groups. Black college graduates are about as likely to be unemployed as white Americans with a high school diploma, and Black Americans with a college education hold less wealth than white Americans who have not even completed high school. (page 471, Chapter 18: Justice by Nikole Hannah - Jones)

My husband and I actually looked this up. You can find a graph on page 6 of this report. I'd still definitely recommend Black Americans go to college, but I'd caution them that they need to be very wise about how much debt they take on. 

Things I looked up:

Negro Act of 1740 (page 105) - Passed in South Carolina as a response to the Stono Rebellion. It prevented enslaved people from assembling in groups, earn money, learn to write, and made it legal for owners to kill their slaves. It prevented slaves from going beyond the boundaries of their own plantations, and allowed constables to deputize anyone they wanted to search for missing slaves.

iatrophobia (page 311) - intense fear of doctors, medical care, or the medical care system

Wednesday, June 29, 2022

When the Reckoning Comes by LaTanya McQueen

When the Reckoning Comes is LaTanya McQueen's debut novel.  Mira, Jesse, and Celine were best friends in a segregated town. They were all poor, but Celine's advantage was that she was white and Mira's advantage was that she was smart. After an incident left Jesse outcast in town, Mira went away to college and never returned until Celine invited her to her wedding. The wedding is to be held at a renovated plantation and the mood is somber and tense from the very beginning.


This is really a novel examining the haunting history that surrounds most of land in the United States (and elsewhere, really).  Sure, there's a gripping thriller happening, but just when you've settled into the creepiness of the tale, McQueen includes a flashback to what the lives were like of the slaves on the plantation where the contemporary action is taking place. Those flashbacks jolt you back into an awareness that not all is right.  

McQueen did such an excellent job of setting the mood. It was crazy that I felt dread from the first scene when Mira is just grading papers at her desk.  And that tension never let up. 

But the characters of Celine and Jesse were just not well-developed enough for me to give an enthusiastic endorsement of the novel. It's short, just over 200 pages, and I actually think that McQueen could have added more pages to build on the story and character aspects of the novel and it would have been an excellent book. As is, it's an exciting debut and I'm excited for what she does next. 3.5/5 stars

Lines of note:
What she'd tried to forget had always been there, this piece of her past, this history. Mira had tried, had spent a decade trying, but a person can't run away from who they are. Soon enough, what's been buried will rear itself again. (page 74)
I think this is so interesting. Our pasts shape us in ways that just can't be undone.

"Yet because of them you're having your wedding here. At a plantation, Celine"
"It hasn't been a plantation for over a hundred years, and it's not like my family owned slaves."
"What about its history? The suffering that built it. That's never forgotten. Isn't it always there?" (page 103)
This is the heart of it, isn't it? A good reminder that places like this should not be a place for celebratory occasions. 

"The building is still there but like a lot of things in town, there's only the ghost of what it was." (page 134)
When I drive through my hometown, the buildings just seem so sad and depleted. The population dwindles with each census and what was once a booming lumber town is now just a place people speed through to get somewhere else. 

Wednesday, February 02, 2022

The Final Revival of Opal & Nev by Dawnie Walton

 The Final Revival of Opal & Nev by Dawnie Walton is the fictionalized oral history of an iconic interracial rock duo made up of a British dude and a badass from Detroit. 

When I first started reading this, I was immediately reminded of Daisy Jones & The Six by Taylor Jenkins Reid. Rock and roll, drugs, the ampersand in the title, the entire framing structure of an oral history, the journalist with a familial tie-in to the story - the parallels are there and the parallels are strong. But while there are a lot of similarities, the characters of Daisy and Opal are so different that you soon forget about all the likenesses and move right along with the compelling narrative.

What I really appreciated about this book was its seamless integration of historical details with the main story. Opal and Nev are listed right alongside other real acts of the time period, Opal discusses real current events, and it all makes it seem as if you're reading a real oral history, not a fictional one. The book begins with a fictional "editor's note" and just keeps going all the way to the end.

There are so many aspects of the novel that were just so well done. It's an important look at the developments, or lack thereof, in race relations in the United States, and this book does that by integrating Opal's experiences in Detroit in the 60s and 70s (her description of staying huddled up with her sister and mother during the riots in 1967 was harrowing) to her reaction to the current BLM and MeToo movements.  It also raises very important questions about what the role of allies is and what the responsibilities of allyship are. Honestly, as a white person reading this book, I wondered a lot about Nev's role and what he could have done to make things easier for Opal in a way that Opal wouldn't have found insulting. (I mean, there are one or two BIG things he SHOULD have done and I think the reader will know what those are when they come up, but in day to day, what could or should Nev have done differently?)

The last thing I want to rave about here is Walton's writing. It's so good. She's writing dozens of people, in their voices, and she just does it so well. There's no wondering if Opal, Rosemary, or Chet is speaking because they all have unique voices. I am not a writer and I have no idea how this is technically done, but it was absolutely refreshing to have an author code switch so effectively and impeccably.  

Notable Lines:

"That's what the South was like for me. Sweet on the first taste, but something gone sour underneath. It'll try to trick you, now - the sugarberries and the quiet and those lovely spread-out homes. But after that day with Auntie Rose, I could smell the rotten too." (page 18-19)

I've traveled in the Southern United States a few times and I love the food and the architecture, but I'm always kind of on edge waiting for some sort of violence to break out. It doesn't make sense - I live within an hour's drive of Milwaukee, a very segregated city with tense race relations - but there you have it. 

"Survival skills. Some of us have them; some of us don't...I'm not talking about blaming victims. I'm just saying that some of us are naturally stronger, better equipped to deal with the bullshit than others, and that's the same as saying that some people are taller than others. Just fact, no judgment. And for those who are going through the tough ties and don't have that kind of strength already? Well, that's all right, because trust me: It can be learned." (page 38)

This is quite encouraging, in its own way. Some real growth mindset stuff here.

"...we got a Butterick Fast & Easy pattern that I nearly tore to shreds because it was so difficult." (page 93)

I have a "Fast & Easy" pattern I've been working on for about a year. Ha!

"Anyone who says they're color-blind is a damn lie. But there is plenty of time between what you see and what you say. And their little comments, their trying to talk Black or whatever, to me that was the going out of their way to announce they were cool with me being there, cool with me participating in what they obviously believed was their scene." (page 117)

When I taught American Minority Politics, students would regularly use their "color-blind" bullshit with me and I would call them on it.  It's not noticing race that's the problem, it's using it to change your thoughts and actions.

"When you talk about challenging to absorb, so is Bob Dylan's whiny ass, in my opinion, and that fucking Ulysses book I had to read in college. Nigga, what? But aren't we supposed to better and smart because of the challenging art that makes us uncomfortable? Isn't the culture better for it? Or does that only apply when heterosexual cisgender white men do the challenging?" (page 336)

This is a great encapsulation of why art matters and makes the world a better place to be.

Things I Looked Up:

Reverend Fred Shuttlesworth (page 17): A civil rights activist in Birmingham, Alabama and co-founded SCLC. He worked with MLK, although the two sometimes disagreed on tactics and strategies.

Panto (page 27) - Informal, British abbreviation of pantomime. 

Brummie boy (page 45) - I think this is also British slang for a man/boy from Birmingham, although I'll take corrections on this.

Angela Davis and George Jackson (page 106) - This is a sad, sad tale. George Jackson was an innocent man sent to jail and he and Angela Davis shared a relationship via letters. Jackson became more and more radicalized the longer he was in jail and eventually Davis smuggled weapons that were used in a courthouse hostage situation. Jackson tried to escape San Quentin prison and was shot and killed in that attempt. (There's a great Ear Hustle episode on George Jackson that I remembered listening to as I started reading more about this.)

Toulouse - Lautrec sketch (page 214) - Henrie Marie Raymond de Toulouse-Lautrec Monfa "is known along with Cezanne, van Gogh, and Gaugin as one of the greatest painters of the Post-Impressionist period." I mean, I got that straight from an article from the Toulouse-Lautrec Foundation, so make of that what you will.  (Not related: He had some sort of disability/genetic disorder that he didn't grow very tall and he wasn't able to really do much physical activity, so that's why he immersed himself in art so much.)


George Wallace got shot (page 252-253) - I am familiar with George Wallace, the Alabama governor who proclaimed "segregation today, segregation tomorrow, segregation forever." I did not know, however, that he was shot in 1972 while he was campaigning for the presidential nomination and that this left him paralyzed for the rest of his life. He also suffered from Parkinson's in his later years. I have no idea how I didn't know this, but my husband didn't either, so that makes me feels somewhat less uneducated.

Pat Cleveland (page 276) - An African-American fashion model in the 1960s and 1970s. 

Melissa Harris-Perry (page 318) - A mixed race TV host/political commentator who hosted a weekend morning show on MSNBC from 2012-2016, when she left the network in an acrimonious manner.

Wait on line (page 332) - This is the third or fourth time that this phrase has come in my life recently, so I looked it up. Waiting in line (this is what I would say) is much more common that waiting on line, which is a phrase mostly found in the area of NYC. They mean the same thing.

You guys, I loved this book. 5/5 stars

Wednesday, January 26, 2022

Wake: The Hidden History of Women-Led Slave Revolts by Rebecca Hall, Illustrated by Hugo Martinez

On a recent Pop Culture Happy Hour, PCHH guest Joelle Monique recommended Wake: The Hidden History of Women-Led Slave Revolts by Rebecca Hall and illustrated Hugo Martinez on one of their regular What's Making Me Happy segments. 

I tend to shy away from books about slavery because I feel like the tendency is to get a bit inured to the pain in each of the stories, as they all sort of blend into one.  So I pick and choose carefully what to read and I was so impressed when I was reading and came across this that echoed those feelings so carefully.

Chapter 7, page 15

This book is a mishmash of genres because on one hand, it's the tale of women's participation in slave revolts, an untapped story.  On the other hand, it's also the story of the author's work process and research methods, so Hall herself is a character in the story. It's filled with beautiful illustrations from Martinez, including this amazing two-page spread of past and current New York City separated by water.  

Chapter 2, pages 10-11

There's just so much in this book. From stories of women who are tried for their role in slave revolts, but there's no documentation of what happened to them to stories of how enslaved women were placed on the deck with no irons (!) which is why slave revolts happened more frequently on ships with larger percentages of women to stories of how Hall herself was repeatedly kicked out of locations while trying to do research.

Things of Note:

Barracoon - The name for the cage/barracks that held enslaved people as they waited for transportation across the Atlantic. 

John Locke - Influential philosopher, whose thoughts were integral to the development of the philosophy that underpins the U.S. Constitution. Investor in one of the British Empire's largest organizations that profited because of slavery, the Royal Africa Company. Hall writes "a luminary of the Enlightenment and perhaps the central theorist of American democracy" (Chapter 7, page 9). This sparked a debate in my house as my husband, he who holds a doctorate in political theory, strongly suggests that this does not give enough credit to "Hume, Montesquieu, and the rest." I am not enough of an expert to say one way or another, but it was fun to rile up my husband.

Brookes diagram - This is a relatively famous diagram of a ship called the Brookes that illustrates how the enslaved folks were allocated space onboard.  I had seen this diagram before, but was unaware that it was based on a real ship and that it had a name. 

By Plymouth Chapter of the Society for Effecting the Abolition of the Slave Trade 

I think this book is beautifully done. It's just over two hundred pages long (the book doesn't have page numbers, which is why I've cited by chapter and page number), but because there are entire pages of illustrations, it's not a huge time intensive commitment. It's heavy subject matter, but it's also readable and fascinating. 

5/5 stars. Highly recommend for everyone.

Thursday, June 03, 2021

Are Prisons Obsolete? by Angela Y. Davis

There's an interesting strategy in some advocacy circles that you make super extreme policy reforms in order to get the conversation started.  Once you do that, it's a series of compromises on both sides of an issue until you get some of what you want.  "If you say, I'm for equal pay, that's a reform. But if you say I'm a feminist, that's a transformation of society." That quote from Gloria Steinem sort of demonstrates that point.  So when I read the title of Angela Y. Davis' book was Are Prisons Obsolete?, I sort of assumed that the book was doing a bit of Steinem-y hyperbole to get folks to realize that what's going in with the prison industry in the United States was nuts and we needed to rein it in a bit. I was wrong.


This is a short book, coming in at 128 pages, including a significant portion of notes and citations. If you're not in the mood for almost 300 pages of Michelle Alexander's The New Jim Crow, this might be the book for you. It covers a lot of the same ground and history, but in a less detailed way. There are six chapters and each one is worth a bit of coverage.

Chapter One: Introduction - Prison Reform or Prison Abolition?

In this chapter, Davis addresses the elephant in the room: "In most circles prison abolition is simply unthinkable and implausible. Prison abolitionists are dismissed as utopians and idealists whose ideas are at best unrealistic and impracticable, and, at worst, mystifying and foolish." (9-10) Davis IS arguing that prisons are an unnecessary institution and dives into the proliferation of building prisons and imprisoning more and more people in the 1980s and 1990s in the United States.

Chapter Two: Slavery, Civil Rights, and Abolitionist Perspectives Toward Prison

Look, Davis spends some time talking about how it's absolutely possible to abolish terrible institutions that have been considered necessary in this country, particularly slavery.  Yes, it took some time, but the permanence of slavery has been so undone that most folks don't even know if there was a slaver owner in their family tree.  Much like how slavery has been undone as an institution, so has lynching and legal segregation. "Slavery, lynching, and segregation are certainly compelling examples of social institutions that, like the prison, were once considered to be as everlasting as the sun." (24)  Davis' point here is that prison is just another one of these types of antiblack racist institutions that somehow has managed to persist through to modern day. The shift from slavery to imprisoning black folks as a method of control was thoroughly covered in this chapter. Prisons went from being vastly majority white to majority black in a very short amount of time after the ending of slavery.

    "...black people were imprisoned under the laws assembled in the various Black Codes of the southern states, which, because they were rearticulations of the Slave Codes, tended to racialize penality and link it closely with previous regimes of slavery." (31)

Edited to add: I've been thinking about this chapter a lot and I think my biggest gripe with it is that Davis doesn't actually grapple with the difficulties of dismantling institutions like slavery and legal segregation.  It wasn't like the Emancipation Proclamation happened or even the Civil War Amendments were passed and former slaves were in the clear. Many former slaves actually became worse off in the immediate aftermath and many just became subsistence farmers.  Obviously, it was the right thing to do to end slavery, but wouldn't it have been better if there had been supports in place for people to see assistance in the transitional time?  I guess that's the issue I have with this book. Yes, I think prisons are bad. But if we just free the entire prison population, what supports are in place for those folks to transition back into society?  How are we going to find jobs for all those people? How are we going to make sure they have access to mental health services, drug/alcohol rehab, and support systems to make sure they are connected to the community?  I'm not saying it shouldn't be done or that it can't be done, but we can't actually have millions of homeless wandering around our country because we didn't think ahead.

Chapter Three: Imprisonment and Reform

Davis runs through the history of prisons as an institution. In general, prisons replaced much more physically brutal and social devastation - punishments such as banishment, forced labor, forced removal to other locations, appropriation of property, not to mention all types of corporal punishment like stocks, pillories, whippings, brandings, and amputation. Let's not get into punishment of women, which could be either dealt with "at home" or could be forced prostitution or other methods of sexual assault. So the original "prison reform" was really a way to end such repulsive punishments. 

Davis spends much time reviewing how prisons went from aspirations to "result in moral renewal and thus mold convicts into better citizens...[who] MUST pass into society again" (49) to the current state of supermax facilities with prisoners spending 23 hours a day in solitary confinement.  

Chapter Four: How Gender Structures the Prison System

This was hard to read. Davis quotes from Assata Shakur's memoir about prison and how an "internal search" was required as a way to "expose an everyday routine in women's prison that verges on sexual assault as much as it is taken for granted." (63).  It is the first time I've ever heard of the slogan "Stop State Sexual Assault," which is a campaign against strip searches. Reading about the strip searches and other sexual abuse in prisons is disconcerting, to be sure. But it's a tough sell, the women's prison, because "[s]tudies indicating that women have been even more likely to end up in mental facilities than men suggest that while jails and prisons have been dominant institutions for the control of men, mental institutions have served a similar purpose for women." (66) But the rise of feminism has pushed to make prisons equal for men and women, which obviously means worse for women.

Chapter Five: The Prison Industrial Complex

I'm just going to leave this quote here: "Corporations producing all kind of goods - from buildings to electronic devices and hygiene products - and providing all kinds of services - from meals to therapy and healthcare - are now directly involved in the punishment business. That is to say, companies that one would assume are far removed from the work of state punishment have developed major stakes in the perpetuation of a prison system..." (88)

If you wonder about how hard it would be dismantle the prison system, the economic devastation to particular segments of the economy is a good place to start.  Just as it was challenging for the American South to figure out how to profit off of an agricultural system without slavery, entire cities and counties in this country would flail without the prison economy.

Chapter Six: Abolitionist Alternatives

"Forget about reform; it's time to talk about abolishing jails and prisons in American society...Still - abolition? Where do you put the prisoners? The 'criminals'? What's the alternative? First, having no alternative at all would create less crime than the present criminal training centers do. Second, the only full alternative is building the kind of society that does not need prisons: A decent redistribution of power and income so as to put out the hidden fire of burning envy that now flames up in crimes of property - both burglary by the poor and embezzlement by the affluent." (Arthur Waskow, 105 of this book)

This is the weakest part of the book.  Davis admits that there's no one-to-one replacement for prisons. Instead, we must re-envision society.  More equality (good in theory - what's the practical application?), more mental health resources (good in theory - where are the therapists, psychiatrists, and facilities to make this happen?), more assistance to families, including childcare and early education (good in theory - is this a politically feasible option?), more effective drug treatment programs for poor people. It's not that I disagree with anything Davis is saying, but I'm just not sure how any of it is going to get accomplished.  It does make her sound unrealistic and impractical, just as she predicted her critics (ahem) would do in her first chapter.

"...imagine a constellation of alternative strategies and institutions, with the ultimate aim of removing the prison from the social and ideological landscapes of our society." (107)

"...envision a continuum of alternatives to imprisonment - demilitarization of schools, revitalization of education of all levels, a health system that provides free physical and mental health care to all, and a justice system base don reparation and reconciliation rather than retribution and vengeance." (107)

It's an interesting book and one I won't forget soon, but it's also one that makes it seem like this an easy fix, when, indeed, the problems are intractable and built-in to the American psyche.